Cita-cita dan Duka Cita Karangan Bunga

Bulan Desember dan karangan bunga di dalam sejarah seni rupa Indonesia punya makna yang berbeda. Pada era 1970-an, kita mengenal peristiwa Desember Hitam yang belakangan turut mendorong lahirnya Gerakan Seni Rupa Baru Indonesia. Pada Desember tahun ini, karangan bunga muncul

Cita-cita dan Duka Cita Karangan Bunga

Bulan Desember dan karangan bunga di dalam sejarah seni rupa Indonesia punya makna yang berbeda. Pada era 1970-an, kita mengenal peristiwa Desember Hitam yang belakangan turut mendorong lahirnya Gerakan Seni Rupa Baru Indonesia. Pada Desember tahun ini, karangan bunga muncul

in suspense

In literature, “suspense” is both a genre and also a state of mind generated within the reader. There is a variety of ways to do this; through the withholding of information or in utilization of the objective viewpoint of a

in suspense

In literature, “suspense” is both a genre and also a state of mind generated within the reader. There is a variety of ways to do this; through the withholding of information or in utilization of the objective viewpoint of a

Mengenal dunia melalui karya seni

Sekelebat pikiran mengenai beberapa karya di documenta 14 (Ditulis untuk Culture Magazine, Goethe-Institut Indonesien, September 2017. English, German, Dutch version available here.) Ketika Pius Sigit Kuncoro, kurator terpilih untuk Biennale Jogja 2017, mengunjungi Brazil, Goethe-Institut setempat mengadakan satu kegiatan yang

Mengenal dunia melalui karya seni

Sekelebat pikiran mengenai beberapa karya di documenta 14 (Ditulis untuk Culture Magazine, Goethe-Institut Indonesien, September 2017. English, German, Dutch version available here.) Ketika Pius Sigit Kuncoro, kurator terpilih untuk Biennale Jogja 2017, mengunjungi Brazil, Goethe-Institut setempat mengadakan satu kegiatan yang

SUNSHOWER: Contemporary art from Southeast Asia, 1980s to now

With its total population counting around 600 million, multi-ethnic, multi-lingual, multi-faith Southeast Asia has nurtured a truly dynamic and diverse culture. Contemporary art from the emerging economic powerhouse of Southeast Asia is currently earning widespread international attention. The “sunshower” –

SUNSHOWER: Contemporary art from Southeast Asia, 1980s to now

With its total population counting around 600 million, multi-ethnic, multi-lingual, multi-faith Southeast Asia has nurtured a truly dynamic and diverse culture. Contemporary art from the emerging economic powerhouse of Southeast Asia is currently earning widespread international attention. The “sunshower” –

/ Talk

Global Academy at Salzburg’s Summer Academy

A two-weeks curatorial course “Thinking with works of art” with Ruth Noack & Grace Samboh (July 17-29, 2017) Today’s globalised art world has replaced all the hard questions with smart curatorial practices that claim to deal with the intricacies of power

/ Talk

Global Academy at Salzburg’s Summer Academy

A two-weeks curatorial course “Thinking with works of art” with Ruth Noack & Grace Samboh (July 17-29, 2017) Today’s globalised art world has replaced all the hard questions with smart curatorial practices that claim to deal with the intricacies of power

Carte Blanche: Anxiety

“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the

Carte Blanche: Anxiety

“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the

Along with the tusks and the stripes

To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the

Along with the tusks and the stripes

To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the