Mengenal dunia melalui karya seni

Sekelebat pikiran mengenai beberapa karya di documenta 14 (Ditulis untuk Culture Magazine, Goethe-Institut Indonesien, September 2017. English, German, Dutch version available here.) Ketika Pius Sigit Kuncoro, kurator terpilih untuk Biennale Jogja 2017, mengunjungi Brazil, Goethe-Institut setempat mengadakan satu kegiatan yang

Mengenal dunia melalui karya seni

Sekelebat pikiran mengenai beberapa karya di documenta 14 (Ditulis untuk Culture Magazine, Goethe-Institut Indonesien, September 2017. English, German, Dutch version available here.) Ketika Pius Sigit Kuncoro, kurator terpilih untuk Biennale Jogja 2017, mengunjungi Brazil, Goethe-Institut setempat mengadakan satu kegiatan yang

Carte Blanche: Anxiety

“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the

Carte Blanche: Anxiety

“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the

Along with the tusks and the stripes

To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the

Along with the tusks and the stripes

To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the

Mata Pelajaran ke-15

Sebuah catatan kuratorial Oleh Angga Wijaya dan Grace Samboh Landasan berpikir Ada dua hal yang segera muncul saat memikirkan sebuah pameran sebagai bagian dari perayaan 10 tahun Serrum, Festival Ekstrakurikulab. Pertama, para seniman yang punya kecenderungan praktik pendidikan (baik formal

Mata Pelajaran ke-15

Sebuah catatan kuratorial Oleh Angga Wijaya dan Grace Samboh Landasan berpikir Ada dua hal yang segera muncul saat memikirkan sebuah pameran sebagai bagian dari perayaan 10 tahun Serrum, Festival Ekstrakurikulab. Pertama, para seniman yang punya kecenderungan praktik pendidikan (baik formal

/ Talk

Regions of the Contemporary: Transnational Art Festivals and Exhibitions in 1990s Southeast Asia

Join us in Melbourne for a three-day symposium to reflect on the pivotal, artist-run events that engendered a transnational contemporary art circuit in Southeast Asia in the 1990s. Informed by recent archival research undertaken into Chiang Mai Social Installation (CMSI),

/ Talk

Regions of the Contemporary: Transnational Art Festivals and Exhibitions in 1990s Southeast Asia

Join us in Melbourne for a three-day symposium to reflect on the pivotal, artist-run events that engendered a transnational contemporary art circuit in Southeast Asia in the 1990s. Informed by recent archival research undertaken into Chiang Mai Social Installation (CMSI),

A̶C̶R̶Y̶L̶I̶C̶: A matter of (ir)rationalizing

ROH Projects is pleased to present Aditya Novali’s second solo exhibition with the gallery, A̶C̶R̶Y̶L̶I̶C̶, featuring completely new works. This show begins a two-part series that will find a continuation that will be shown in a separate presentation during Art Basel

A̶C̶R̶Y̶L̶I̶C̶: A matter of (ir)rationalizing

ROH Projects is pleased to present Aditya Novali’s second solo exhibition with the gallery, A̶C̶R̶Y̶L̶I̶C̶, featuring completely new works. This show begins a two-part series that will find a continuation that will be shown in a separate presentation during Art Basel

Museum Tanpa Tanda Jasa

(Scroll down for English.) Foto pameran oleh Reza Zefanya. Foto milik ROH Projects. Museum Tanpa Tanda Jasa (MTTJ) adalah sebuah proyek seni rupa yang bercita-cita untuk memantik perbincangan mengenai demokrasi dalam era Reformasi dengan publik seni rupa sembari tidak menutup diri untuk

Museum Tanpa Tanda Jasa

(Scroll down for English.) Foto pameran oleh Reza Zefanya. Foto milik ROH Projects. Museum Tanpa Tanda Jasa (MTTJ) adalah sebuah proyek seni rupa yang bercita-cita untuk memantik perbincangan mengenai demokrasi dalam era Reformasi dengan publik seni rupa sembari tidak menutup diri untuk